{"id":1957,"date":"2011-05-19T01:05:21","date_gmt":"2011-05-18T22:05:21","guid":{"rendered":"https:\/\/www.ilkercanikligil.com\/?page_id=1957"},"modified":"2015-01-19T19:54:55","modified_gmt":"2015-01-19T16:54:55","slug":"terimler","status":"publish","type":"page","link":"https:\/\/ilkercanikligil.me\/index.php\/terimler\/","title":{"rendered":"TerimlerTerimler"},"content":{"rendered":"

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Dijital Video ile Sinema<\/a> adl\u0131 kitab\u0131mda da yer alan sinema tv ve video ile ilgili bir terimler s\u00f6zl\u00fc\u011f\u00fc?\u00a6L\u00fctfen Kaynak G\u00f6stermeden Kullanmay\u0131n. Te\u015fekk\u00fcrler.<\/em><\/p>\n

Son G\u00fcncelleme: 19.01.2015<\/em><\/p>\n

30 derece Kural\u0131:<\/strong> Ayn\u0131 konunun \u00e7ekimi s\u0131ras\u0131nda kullan\u0131lacak iki kamera konumunun birbirine en az 30 derece a\u00e7\u0131 yapmas\u0131n\u0131 \u00f6neren kural. Aksi durumda \u00e7ekimler birbirine benzeyece\u011fi i\u00e7in kesilmeleri zor olacakt\u0131r. Eski bir kurald\u0131r.
\n<\/em><\/p>\n

180 derece Kural\u0131<\/strong>: Ekrandaki y\u00f6n devaml\u0131l\u0131\u011f\u0131n\u0131 ve tutarl\u0131l\u0131\u011f\u0131n\u0131 korumak i\u00e7in kameran\u0131n oyuncular\u0131n\u0131n bir taraf\u0131nda kalmas\u0131n\u0131 \u00f6neren teorinin ad\u0131 (aks \u00e7izgisi olarak da bilinir).<\/p>\n

4:4:4:<\/strong> Herhangi bir g\u00f6r\u00fcnt\u00fc sinyali say\u0131salla\u015ft\u0131r\u0131l\u0131rken uygulanan \u00f6rnekleme y\u00f6ntemi. Burada b\u00fct\u00fcn
\npikseller tam olarak \u00f6rneklenir.<\/p>\n

4:2:2: <\/strong>Herhangi bir g\u00f6r\u00fcnt\u00fc sinyali say\u0131salla\u015ft\u0131r\u0131l\u0131rken uygulanan \u00f6rnekleme y\u00f6ntemi. Bu y\u00f6ntemde RGB olarak t\u00fcm de\u011ferler (pikseller) \u00f6rneklenmez. \u0130nsan g\u00f6z\u00fc parlakl\u0131k de\u011fi\u015fimlerine daha hassas oldu\u011fu i\u00e7in parlakl\u0131k tam \u00f6rneklenirken renk bilgileri yar\u0131m h\u0131zla \u00f6rneklenir. Yani her 4 piksellik grup i\u00e7in 4 luminance \u00f6rne\u011fi, 2 adet U ve 2 adet V \u00f6rne\u011fi saklan\u0131r.<\/p>\n

4:2:0:<\/strong> PAL DV ve DVD video i\u00e7in kullan\u0131lan \u00f6rnekleme y\u00f6ntemidir.<\/p>\n

4:1:1<\/strong>: NTSC DV i\u00e7in kullan\u0131lan \u00f6rnekleme y\u00f6ntemidir.<\/p>\n

4:3 (veya 1.33):<\/strong> Standart TV yay\u0131nlar\u0131n\u0131n \u00e7er\u00e7eve oran\u0131.<\/p>\n

16:9 (veya 1.77):<\/strong> HD video i\u00e7in standart kabul edilen \u00e7er\u00e7eve oran\u0131.<\/p>\n

1.66: <\/strong>Avrupa sinemas\u0131n\u0131n en \u00e7ok kulland\u0131\u011f\u0131 \u00e7er\u00e7eve oran\u0131.<\/p>\n

1.85:<\/strong> Amerikan sinemas\u0131n\u0131n tercih etti\u011fi \u00e7er\u00e7eve oran\u0131.<\/p>\n

2.35:<\/strong> Genelde anamorfik merceklerle ula\u015f\u0131lan ?geni\u015f perde?\u009d \u00e7er\u00e7eve oran\u0131.<\/p>\n

Academy: <\/strong>Amerikan Sinema Akademisinin belirledi\u011fi 1.37 oran\u0131ndaki \u00e7er\u00e7eve oran\u0131. 35 mm filmin kenar\u0131na ses ku\u015fa\u011f\u0131 bo\u015flu\u011fu a\u00e7mak i\u00e7in d\u00fczenlenmi\u015ftir.<\/p>\n

AC-3:<\/strong> Dolby Digital \u00e7ok kaynakl\u0131 ses sistemine verilen isimdir.<\/p>\n

AGC<\/strong>: Automatic Gain Control. Kameralarda ses kay\u0131t y\u00fcksekli\u011fini kontrol eden sistem.<\/p>\n

Aliasing:<\/strong> G\u00f6r\u00fcnt\u00fcn\u00fcn kenarlar\u0131nda ve ince \u00e7izgilerinde olu\u015fan merdivenlenme (k\u0131r\u0131lma) etkisine verilen isim.<\/p>\n

Alpha<\/strong>: Herhangi bir g\u00f6r\u00fcnt\u00fcde hangi piksellerin g\u00f6r\u00fcnmez olaca\u011f\u0131n\u0131 belirleyen veri.<\/p>\n

Analog:<\/strong> Herhangi bir sinyalin benzetim yoluyla kaydedilmesi. \u00d6rne\u011fin plak ses sinyalini as\u0131l olan ses dalgalar\u0131n\u0131n kopyalar\u0131n\u0131 olu\u015fturarak kaydeden bir ortamd\u0131r. Analog sistemler hassas kay\u0131t sa\u011flarlar ancak kopyalama ba\u015far\u0131lar\u0131 d\u00fc\u015f\u00fckt\u00fcr. Her aktar\u0131mda belirli bir kay\u0131p olu\u015fur.<\/p>\n

Anamorphic:<\/strong> 2.35 oran\u0131nda geni\u015f resimler elde etmek i\u00e7in kullan\u0131lan \u00f6zel merceklere verilen genel isim. Anamorphic mercekler g\u00f6r\u00fcnt\u00fcy\u00fc sa\u011fda soldan s\u0131k\u0131\u015ft\u0131rarak kaydederler. G\u00f6sterim s\u0131ras\u0131nda ters i\u015flem yap\u0131l\u0131r. B\u00f6ylece normal sinema filminden daha geni\u015f bir oran elde edilir.<\/p>\n

Anti Aliasing:<\/strong> Herhangi bir g\u00f6r\u00fcnt\u00fcde kenarlar\u0131n ve keskin \u00e7izgilerin yumu\u015fat\u0131lmas\u0131 i\u00e7in uygulanan y\u00f6ntem.<\/p>\n

Artifact:<\/strong> Video alan\u0131nda g\u00f6r\u00fcnt\u00fcdeki her t\u00fcr bozulmaya (karlanma, noktac\u0131klanma vs) verilen genel isim.<\/p>\n

Aspect Ratio:<\/strong> G\u00f6r\u00fcnt\u00fcn\u00fcn geni\u015fli\u011finin y\u00fcksekli\u011fine olan oran\u0131.<\/p>\n

Aperture:<\/strong> Diyafram veya iris olarak de bilinen bir merce\u011fin \u0131\u015f\u0131k ge\u00e7irme oran\u0131n\u0131 belirleyen mekanizma.<\/p>\n

Bayer Pattern: <\/strong>Dr. Bryce Bayer taraf\u0131ndan 1976??da geli\u015ftirilmi\u015f, tek alg\u0131lay\u0131c\u0131 bir sistemden renk elde etmek i\u00e7in her d\u00f6rt pikselde iki ye\u015fil, bir k\u0131rm\u0131z\u0131, bir mavi filtre i\u00e7eren \u015fekil. Bu \u015fema kullan\u0131larak b\u00fct\u00fcn alg\u0131lay\u0131c\u0131 kaplan\u0131r. Sonu\u00e7ta olu\u015fan g\u00f6r\u00fcnt\u00fcn\u00fcn ?Debayer?\u009d edilmesi gerekir.<\/p>\n

Black Burst:<\/strong> Video alan\u0131nda siyah g\u00f6r\u00fcnt\u00fc ta\u015f\u0131yan composite sinyal anlam\u0131na gelir. St\u00fcdyolarda bir\u00e7ok ayr\u0131 aletin birbirine e\u015flenmesi i\u00e7in gereklidir.<\/p>\n

Black Level<\/strong>: Siyah seviyesi. Herhangi bir sistemde olabilecek siyah de\u011ferinin alt s\u0131n\u0131r\u0131.<\/p>\n

Blu-ray Disk:<\/strong> 50 GB kapasiteli disk format\u0131d\u0131r. \u00d6zellikle HD video ta\u015f\u0131mak i\u00e7in kullan\u0131l\u0131yor.<\/p>\n

Buffer<\/strong>: Herhangi bir verinin g\u00f6nderilmeden \u00f6nce bir kumbarada (\u00f6n bellekte) biriktirilmesi anlam\u0131na gelir. B\u00f6ylece g\u00f6nderim s\u0131ras\u0131nda kesilme riski azal\u0131r.<\/p>\n

Butterfly<\/strong>: I\u015f\u0131\u011f\u0131n \u00f6n\u00fcne gerilen beyaz kuma\u015f s\u00fcz\u00fcc\u00fclere verilen genel isim. \u00d6zellikle d\u0131\u015f mek\u00c3\u00a2nda \u00e7ekim yaparken G\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131n\u0131 s\u00fczmek ve yumu\u015fatmak i\u00e7in yararl\u0131d\u0131r.<\/p>\n

Brightness<\/strong>: Parlakl\u0131k. Piksellerin ne kadar \u0131\u015f\u0131k yayd\u0131\u011f\u0131n\u0131 belirler.<\/p>\n

Chroma Key:<\/strong> \u0130ki g\u00f6r\u00fcnt\u00fcy\u00fc birle\u015ftirmek veya mat olu\u015fturmay\u0131 kolayla\u015ft\u0131rmak i\u00e7in renk bilgisini kullanan y\u00f6ntem. \u00d6rne\u011fin mavi bir perde \u00f6n\u00fcnde \u00e7ekti\u011finiz ki\u015finin arkas\u0131na harita yerle\u015ftirmek.<\/p>\n

Chrominance:<\/strong> Video alan\u0131nda renk bilgisi.<\/p>\n

Cinemascope:<\/strong> Anamorfik merceklerle elde edilen geni\u015f perde teknolojisinin ismi. 2.35:1 oran\u0131n\u0131 kullan\u0131r.<\/p>\n

Cinematography<\/strong>: Hareketli nesne ve insanlar\u0131 foto\u011fraflama sanat\u0131. Genellikle sinema filmi i\u00e7in kullan\u0131l\u0131r. I\u015f\u0131k, kompozisyon, kamera gibi unsurlar\u0131 i\u00e7erir. Say\u0131sal kameralarla \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131nda Digital Cinematography terimi kullan\u0131l\u0131yor.<\/p>\n

Cinematographer<\/strong>: Genelde sinema filmi ile u\u011fra\u015fan kameramanlara (g\u00f6r\u00fcnt\u00fc y\u00f6netmeni) verilen genel isim.<\/p>\n

Circle of Confusion:<\/strong> Herhangi bir format i\u00e7in uzaktaki bir noktan\u0131n (\u00f6rne\u011fin bir y\u0131ld\u0131z) noktal\u0131ktan \u00e7\u0131k\u0131p diskle\u015fti\u011fi durumla ilgilidir. Format ne kadar k\u00fc\u00e7\u00fcl\u00fcrse circle of confusion o kadar b\u00fcy\u00fcr. \u00d6rne\u011fin kamera \u00fcst\u00fcndeki k\u00fc\u00e7\u00fck LCD??ye bakt\u0131\u011f\u0131n\u0131zda net sand\u0131\u011f\u0131n\u0131z (yani nokta olarak alg\u0131lad\u0131\u011f\u0131n\u0131z) bir g\u00f6r\u00fcnt\u00fc b\u00fcy\u00fck ekranda netsiz g\u00f6r\u00fcnebilir. \u0130nsan g\u00f6z\u00fcn\u00fcn de bir circle of confusion de\u011feri vard\u0131r. Alan derinli\u011fi konusunu do\u011frudan etkiler. Film format\u0131 b\u00fcy\u00fcd\u00fck\u00e7e circle of confusion k\u00fc\u00e7\u00fcl\u00fcr bu nedenle de alan derinli\u011fi azal\u0131r.<\/strong><\/p>\n

Closed Captioning:<\/strong> Video sinyalinin i\u00e7ine yerle\u015ftirilmi\u015f altyaz\u0131 se\u00e7ene\u011fi. PAL i\u00e7in bu veri 22. veya 334. sat\u0131ra eklenmi\u015ftir.<\/p>\n

CMYK:<\/strong> Renkli bask\u0131 sistemlerinde kullan\u0131lan renk olu\u015fturma y\u00f6ntemi.<\/p>\n

Codec:<\/strong> Compression Decompression s\u00f6zc\u00fcklerinden t\u00fcremi\u015f bir terim. Bir video verisinin nas\u0131l s\u0131k\u0131\u015ft\u0131r\u0131laca\u011f\u0131n\u0131 ve a\u00e7\u0131l\u0131p g\u00f6sterilece\u011fini belirleyen y\u00f6ntemlerin genel ad\u0131d\u0131r. \u00d6rne\u011fin DV Codec, Mpeg2 codec vs.<\/p>\n

Color Bars<\/strong>: Renklere referans olarak kullan\u0131lmas\u0131 i\u00e7in \u00fcretilen bir test sinyali.<\/p>\n

Color Temperature:<\/strong> Renk \u0131s\u0131s\u0131. Fizik\u00e7i Kelvin??in a\u00e7\u0131klad\u0131\u011f\u0131 \u0131\u015f\u0131kla ilgili olgu. Buna g\u00f6re her \u0131\u015f\u0131k kayna\u011f\u0131 belli bir renkte \u0131\u015f\u0131k \u00fcretir. Bu dereceye kelvin derecesi ad\u0131 verilir. G\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131 5500K de\u011ferinde \u0131\u015f\u0131k verir. De\u011fer d\u00fc\u015ft\u00fck\u00e7e renk turuncuya, artt\u0131k\u00e7a maviye gider.<\/p>\n

Component Video:<\/strong> RGB (veya YUV) bilgilerinin ayr\u0131 ayr\u0131 kablolarla iletildi\u011fi g\u00f6r\u00fcnt\u00fc sinyali.<\/p>\n

Compression Ratio:<\/strong> Herhangi bir verinin s\u0131k\u0131\u015ft\u0131r\u0131lma oran\u0131. \u00d6rne\u011fin DV 1:5 s\u0131k\u0131\u015ft\u0131rma oran\u0131na sahiptir. Buna kar\u015f\u0131l\u0131k DVD Video yakla\u015f\u0131k 1:10 veya daha y\u00fcksek s\u0131k\u0131\u015ft\u0131rma oran\u0131nda \u00e7al\u0131\u015f\u0131r.<\/p>\n

Contour:<\/strong> Herhangi bir nesnenin \u00e7evresini saran \u00e7izgi.<\/p>\n

Contrast:<\/strong> Z\u0131tl\u0131k. Sinema TV ve g\u00f6rsel sanatlarda \u00e7ok fazla kullan\u0131lan kavramlardand\u0131r. Video teknolojisi ba\u011flam\u0131nda siyah noktalarla beyaz noktalar aras\u0131ndaki skalay\u0131 ifade eder. Y\u00fcksek kontrast asl\u0131nda zengin bir ton aral\u0131\u011f\u0131 demektir. D\u00fc\u015f\u00fck Kontrast siyah ve beyaz\u0131n birbirlerine yak\u0131n olmas\u0131 durumudur.<\/p>\n

Continuity Editing<\/strong>: Devaml\u0131l\u0131k kurgusu. Hollywood taraf\u0131ndan en \u00e7ok kullan\u0131lan kurgu mant\u0131\u011f\u0131d\u0131r. Burada kurgu \u00f6zenle gizlenir. Kesmeler s\u0131radan seyircinin g\u00f6rmeyece\u011fi \u015fekilde \u00e7e\u015fitli tekniklerle yumu\u015fat\u0131l\u0131r veya saklan\u0131r. B\u00f6ylece uzamsal ve zamansal devaml\u0131l\u0131k yan\u0131lsamas\u0131 s\u00fcrd\u00fcr\u00fcl\u00fcr.<\/p>\n

Crab Dolly<\/strong>: \u00c7ok k\u0131sa da olsa kolu (jib arm) olan bir dolly t\u00fcr\u00fc.<\/p>\n

Dailies (Rushes): <\/strong>Herhangi bir \u00e7ekim g\u00fcn\u00fc sonunda elde edilen malzemeye verilen isim.<\/p>\n

Day for Night (American Night):<\/strong> Gece g\u00f6r\u00fcnt\u00fcs\u00fc vermesi gereken bir sahneyi g\u00fcnd\u00fcz \u00e7ekme y\u00f6ntemi. Kameran\u0131n \u00f6n\u00fcne mavi filtre koyup iki f-stop az pozlamak gibi tekniklerle yap\u0131l\u0131r. ?Jaws?\u009d (y\u00f6n: Steven Spielberg 1975) filminin ba\u015f\u0131ndaki sald\u0131r\u0131 sahnesi buna \u00f6rnektir. Amerikan Sinemas\u0131??nda \u00e7ok kullan\u0131ld\u0131\u011f\u0131 i\u00e7in bu ad\u0131 alm\u0131\u015ft\u0131r.<\/p>\n

dB:<\/strong> Desibel kelimesinin k\u0131saltmas\u0131. Herhangi bir elektriksel g\u00fcc\u00fc ifade etmek i\u00e7in kullan\u0131l\u0131r.<\/p>\n

Deep Focus<\/strong>: Derinlemesine netlik olarak \u00e7evrilebilir. Alan derinli\u011finin \u00e7ok fazla olmas\u0131 durumunu ifade eder. ?Citizen Kane?\u009d (y\u00f6n: Orson Welles 1941) filminde g\u00f6r\u00fcnt\u00fc y\u00f6netmeni Gregg Toland taraf\u0131ndan s\u0131k\u00e7a kullan\u0131lm\u0131\u015ft\u0131r. Bu y\u00f6ntemde alan derinli\u011fi artt\u0131r\u0131l\u0131r ve sahneleme derinlemesine yap\u0131l\u0131r. \u00c7ok \u0131\u015f\u0131k gerektiren bir y\u00f6ntemdir. \u00d6yk\u00fcy\u00fc kesme yapmadan ve do\u011fal bir \u015fekilde anlatmaya imk\u00c3\u00a2n verir.<\/p>\n

Digital:<\/strong> Herhangi bir sinyalin (g\u00f6r\u00fcnt\u00fc, ses) ikilik sistemde (s\u0131f\u0131r ve bir ile) ifade edilmesi. B\u00f6ylece aktar\u0131m s\u0131ras\u0131nda kay\u0131p olmaz. Ancak sinyalin say\u0131salla\u015ft\u0131r\u0131lmas\u0131 s\u0131ras\u0131nda \u00f6rnekleme h\u0131z\u0131 ve derinli\u011fi se\u00e7ilirken bir kay\u0131p s\u00f6z konusudur.<\/p>\n

Digital 8:<\/strong> Sony??nin 1999??da \u00e7\u0131kard\u0131\u011f\u0131 format\u0131n ad\u0131. Bu sistem bir \u00f6nceki nesil olan Hi 8 kasetlere DV verisi kaydeder.<\/p>\n

DIT (Digital Imaging Technician)<\/strong>: Bir filmin say\u0131sal videoyla \u00e7ekimi s\u0131ras\u0131ndaki teknik konular\u0131n\u00c2\u00a0hepsinden sorumlu ki\u015fi.<\/p>\n

Dissolve:<\/strong> Ge\u00e7me, erime, bindirme olarak da bilinen ge\u00e7i\u015f y\u00f6ntemi. Bu y\u00f6ntemde B g\u00f6r\u00fcnt\u00fcs\u00fc A g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn \u00fczerinde belirir. Bu s\u0131rada B yava\u015f yava\u015f yok olur.<\/p>\n

Dolby Digital:<\/strong> Dolby laboratuvarlar\u0131n\u0131n geli\u015ftirdi\u011fi alt\u0131 kanall\u0131 ses sistemi. Be\u015f kanal normal frekanslar i\u00e7in alt\u0131nc\u0131 kanal ise bas frekanslar i\u00e7in kullan\u0131l\u0131r. S\u0131k\u0131\u015ft\u0131rmal\u0131 bir formatt\u0131r. DVD ve sinema alan\u0131nda yo\u011fun olarak kullan\u0131l\u0131r.<\/p>\n

Dolly:<\/strong> Ray \u00fczerinde y\u00fcr\u00fcyen k\u00fc\u00e7\u00fck araba. Kamera, kamera operat\u00f6r\u00fc ve bazen de y\u00f6netmeni ta\u015f\u0131r.<\/p>\n

DP\/DOP (Director of Photography)<\/strong>: G\u00f6r\u00fcnt\u00fc y\u00f6netmeni.<\/p>\n

DTS ?? Digital Theater Systems<\/strong>: Dolby Digital??a rakip \u00e7ok kanall\u0131 ses sistemidir. Burada Dolby??den farkl\u0131 olarak filmin sesi ayr\u0131 bir medyadan (DVD) oynat\u0131l\u0131r. Filmin \u00fczerinde ise sadece sync bilgisi bulunur.<\/p>\n

DV: <\/strong>Digital Video??nun k\u0131saltmas\u0131. Ayn\u0131 zamanda 1995??te bir \u00e7ok kamera \u00fcreticisinin ortak \u00e7\u0131kard\u0131klar\u0131 6.4 mm kal\u0131nl\u0131\u011f\u0131nda banta say\u0131sal video kaydeden sistemin ad\u0131d\u0131r (Mini DV olarak da bilinir). Kaset kullanan son formatlardan biridir. DV Codec 1:5 s\u0131k\u0131\u015ft\u0131rma oran\u0131yla 4:2:0 \u00f6rneklemesi kullan\u0131r, firewire ba\u011flant\u0131s\u0131yla kay\u0131ps\u0131z olarak aktar\u0131labilir.<\/p>\n

DVI (Digital Visual Interface)<\/strong>: Monit\u00f6rleri bilgisayarlara say\u0131sal olarak ba\u011flamak i\u00e7in kullan\u0131lan\u00c2\u00a0aray\u00fcz. B\u00f6ylece sinyal kay\u0131p ve kar\u0131\u015fmalar\u0131 s\u0131f\u0131ra indirilir.<\/p>\n

DVCAM:<\/strong> Mini DV ile tamamen ayn\u0131 codec yap\u0131s\u0131n\u0131 kullanan sadece bant d\u00f6nme h\u0131z\u0131 daha y\u00fcksek oldu\u011fu i\u00e7in daha az s\u00fcreli kay\u0131t yapabilen fakat b\u00f6ylece hata olas\u0131l\u0131\u011f\u0131 (drop out) aza indirgenmi\u015f format\u0131n ad\u0131.<\/p>\n

DVR ?? Digital Video Recorder<\/strong>: Bant teknolojisiyle analog (\u00f6rneksel) kay\u0131t yerine genelde diske say\u0131sal g\u00f6r\u00fcnt\u00fc kay\u0131t sistemlerine verilen isimdir.<\/p>\n

DVD:<\/strong> Digital Versatile Disk kelimelerinin ba\u015f harfleridir. 4.7 GB (tek katman) veya 9 GB (\u00e7ift katman) kapasiteye sahip disklerdir. Mpeg2 s\u0131k\u0131\u015ft\u0131rmas\u0131yla bu disklere d\u00f6rt saate kadar g\u00f6r\u00fcnt\u00fc depolanabilir.<\/p>\n

DVD Audio:<\/strong> DVD diskler 44,1 den 192 Khz??e kadar de\u011fi\u015fen \u00f6rnekleme h\u0131zlar\u0131nda ve 16 bit ?? 24 bit aras\u0131ndaki derinlikte, iki ile alt\u0131 kanal aras\u0131nda ses ta\u015f\u0131yabilir.<\/p>\n

DVI ?? Digital Visual Interface<\/strong>: Monit\u00f6rleri bilgisayarlara say\u0131sal olarak ba\u011flamak i\u00e7in kullan\u0131lan aray\u00fcz. B\u00f6ylece sinyal kay\u0131p ve kar\u0131\u015fmalar\u0131 s\u0131f\u0131ra indirilir.<\/p>\n

Diyafram:<\/strong> Bkz: Aperture<\/p>\n

Dissolve:<\/strong> Ge\u00e7me, erime, bindirme olarak da bilinen ge\u00e7i\u015f y\u00f6ntemi. Bu y\u00f6ntemde B g\u00f6r\u00fcnt\u00fcs\u00fc A g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fcn \u00fczerinde belirir. Bu s\u0131rada B yava\u015f yava\u015f yok olur.<\/p>\n

Dubbing<\/strong>: Bir filmi sonradan st\u00fcdyoda seslendirmek.<\/p>\n

Emulsion: (Fr. Emultion):<\/strong> T\u00fcrk\u00e7e??de Frans\u0131zca??dan gelmi\u015f hali em\u00fclsiyon olarak kullan\u0131l\u0131r. Sinema alan\u0131nda \u0131\u015f\u0131\u011fa duyarl\u0131 kimyasal malzemeyi ifade eder.<\/p>\n

Exposure:<\/strong> Pozlama. Herhangi bir duyarl\u0131 malzemenin (CCD, film, t\u00fcp, CMOS) \u0131\u015f\u0131kla bulu\u015fmas\u0131d\u0131r. Do\u011fru s\u00fcrede ve miktarda ger\u00e7ekle\u015fmesi gerekir. Aksi durumda duyarl\u0131 malzeme gere\u011finden fazla \u0131\u015f\u0131k g\u00f6rd\u00fc\u011f\u00fc i\u00e7in hatal\u0131 sonu\u00e7 \u00fcretir (?Film yand\u0131?\u009d c\u00fcmlesi bu durumu ifade eder. Ortada yanan bir \u015fey yoktur.)<\/p>\n

Exposure Meter veya Light Meter: (Fr. Posametre)<\/strong> I\u015f\u0131k\u00f6l\u00e7er alet.<\/p>\n

Exterior:<\/strong> D\u0131\u015f \u00e7ekim anlam\u0131nda kullan\u0131l\u0131r.<\/p>\n

Fade:<\/strong> Kararma.<\/p>\n

Field:<\/strong> Interlaced (ge\u00e7meli) video sistemlerinde yar\u0131m kareye verilen isim. Bir kare iki field olarak g\u00f6nderilir.<\/p>\n

Fine Grain: <\/strong>\u0130nce Tanecikli film. Sinema ve foto\u011fraf filmleri de\u011fi\u015fik duyarl\u0131l\u0131kta olabilir. I\u015f\u0131k duyarl\u0131l\u0131\u011f\u0131 azald\u0131k\u00e7a filmi olu\u015fturan tanecikler k\u00fc\u00e7\u00fcl\u00fcr. Bu da daha y\u00fcksek kalitede g\u00f6r\u00fcnt\u00fc \u00fcretilebilir demektir.<\/p>\n

Firewire<\/strong>: Apple??\u0131n geli\u015ftirdi\u011finde Firewire ad\u0131n\u0131 verdi\u011fi, as\u0131l ad\u0131 IEEE 1394 olan veri transfer protokol\u00fc. I-Link de ayn\u0131 protokol\u00fc kullan\u0131r.<\/p>\n

Flicker:<\/strong> Ekrandaki video oynatma h\u0131z\u0131 (fps) d\u00fc\u015f\u00fckse olu\u015fan titreme. Ayn\u0131 zamanda field sorunlar\u0131 oldu\u011funda da benzer bir titreme olu\u015fur.<\/p>\n

Foveon:<\/strong> Bayer??e alternatif bir renk elde etme y\u00f6ntemi geli\u015ftirmi\u015f \u015firketin ad\u0131. Foveon alg\u0131lay\u0131c\u0131larda RGB olmak \u00fczere \u00fc\u00e7 katman bulunur. 1997??de kurulmu\u015f olan \u015firket 2008??de Sigma Corporation taraf\u0131ndan sat\u0131n al\u0131nm\u0131\u015ft\u0131r.<\/p>\n

FPS ?? Frames per Second:<\/strong> Saniyedeki kare say\u0131s\u0131. Sinema i\u00e7in 24, PAL video i\u00e7in 25, NTSC video i\u00e7in 30??dur.<\/p>\n

Frame<\/strong>: Kare. Bir SD video karesi genelde 800*600 noktac\u0131ktan olu\u015fur.<\/p>\n

Frame Rate:<\/strong> Saniyede g\u00f6sterilen kare say\u0131s\u0131.<\/p>\n

Focal Length:<\/strong> Odak uzakl\u0131\u011f\u0131. Sonsuz uzakl\u0131ktaki bir nesneye netlendi\u011finde film veya CCD d\u00fczlemiyle merce\u011fin optik merkezi aras\u0131ndaki uzakl\u0131\u011f\u0131n milimetre cinsinden ifadesidir.<\/p>\n

F-stop:<\/strong> Bir diyafram (iris) mekanizmas\u0131n\u0131n de\u011fi\u015fik a\u00e7\u0131kl\u0131k oranlar\u0131n\u0131 \u00f6l\u00e7mek i\u00e7in kullan\u0131lan birimdir. 1 ?? 1,4 ?? 2 ?? 2,8 ?? 4 ?? 5.6 ?? 8 ?? 11 ?? 16 ?? 22 olarak ilerler.<\/p>\n

Gamma:<\/strong> Kameralar\u0131n ve monit\u00f6rlerin \u0131\u015f\u0131k duyarl\u0131l\u0131\u011f\u0131 do\u011frusal de\u011fildir: D\u00fc\u015f\u00fck \u0131\u015f\u0131ktaki de\u011fi\u015fim b\u00fcy\u00fck bir fark yaratabilirken, ayd\u0131nl\u0131ktaki de\u011fi\u015fimler ayn\u0131 oranda fark yaratmaz. E\u011fer kameradan gelen veri do\u011frusal olarak monitore verilseydi \u00e7ok karanl\u0131k bir resim ortaya \u00e7\u0131kard\u0131. Bu nedenle belirli bir form\u00fclle d\u00fczeltme (Gamma Correction) yap\u0131lmas\u0131 gerekir. Daha ayr\u0131nt\u0131l\u0131 bilgi i\u00e7in \u015furaya<\/a> bak\u0131n.<\/p>\n

Gamma Correction:<\/strong> RGB verisinin g\u00f6sterilmeden \u00f6nce monit\u00f6r\u00fcn tepki e\u011frisine g\u00f6re d\u00fczeltilmesi i\u015flemidir. Ayn\u0131 zamanda renk d\u00fczeltme yaz\u0131l\u0131mlar\u0131nda orta de\u011ferlerin de\u011fi\u015ftirilmesi (\u00fcst ve alt u\u00e7lara dokunmadan) anlam\u0131nda kullan\u0131l\u0131r.<\/p>\n

HD-DVD:<\/strong> 30 GB kapasiteli disk format\u0131d\u0131r. Blu-ray kar\u015f\u0131s\u0131nda tutunamam\u0131\u015ft\u0131r.<\/p>\n

HDR:<\/strong> High Dynamic Range. Ayn\u0131 kareyi bir ka\u00e7 de\u011fi\u015fik pozlama de\u011feriyle kaydedip alg\u0131lay\u0131c\u0131lar\u0131n g\u00f6rece dar olan dinamik aral\u0131\u011f\u0131n\u0131 yaz\u0131l\u0131msal olarak y\u00fckseltmeye yarayan y\u00f6ntem. \u00d6nce foto\u011fraf i\u00e7in kullan\u0131yordu. Sonradan video alan\u0131nda da uygulanmaya ba\u015fland\u0131.<\/p>\n

HDSLR: <\/strong>High Definition Single Lens Reflex. 2008??den itibaren ortaya \u00e7\u0131kan video \u00e7ekebilen DSLR kameralar\u0131 tan\u0131mlamak i\u00e7in kullan\u0131lan k\u0131saltma.<\/p>\n

HDMI:<\/strong> High Definition Multimedia Interface. Y\u00fcksek tan\u0131ml\u0131 videoyu say\u0131sal olarak iletmek i\u00e7in tasarlanm\u0131\u015f son kullan\u0131c\u0131ya y\u00f6nelik aray\u00fcz.<\/p>\n

HDTV:<\/strong> Y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc televizyon sistemi. Full HD 1920*1080 \u00f6l\u00e7\u00fclerinde olmal\u0131d\u0131r.<\/p>\n

Hi8:<\/strong> 1985??te Sony taraf\u0131ndan duyurulmu\u015f Video 8 format\u0131n\u0131n geli\u015fmi\u015f hali.<\/p>\n

HSI ?? Hue, Saturation, Intensity:<\/strong> Renk, doygunluk ve parlakl\u0131k (HSV ve HSL olarak da bilinir).<\/p>\n

Hue:<\/strong> Rengin dalga boyu.<\/p>\n

Indoor: <\/strong>Sinema TV tekni\u011finde tungsten halojen lambalarla \u00e7al\u0131\u015f\u0131ld\u0131\u011f\u0131n\u0131 g\u00f6sterir.<\/p>\n

Interframe:<\/strong> kareler aras\u0131 s\u0131k\u0131\u015ft\u0131rma yapan codec ler i\u00e7in kullan\u0131l\u0131r. \u00d6rne\u011fin h264 b\u00f6yle bir codec tir.<\/p>\n

Interior<\/strong>: Sinema TV??de i\u00e7 mek\u00c3\u00a2n anlam\u0131nda kullan\u0131l\u0131r.<\/p>\n

Interlaced<\/strong>: Bir karenin iki ayr\u0131 par\u00e7a halinde \u00fcretilmesi ve g\u00f6nderilmesi.<\/p>\n

Interpolation<\/strong>: Ek bilgi \u00fcretmek i\u00e7in matematiksel y\u00f6ntemler kullanmak. \u00d6rne\u011fin bir resmi b\u00fcy\u00fctmek i\u00e7in bu y\u00f6ntemi kullan\u0131rsan\u0131z araya yeni piksel de\u011ferleri sokulur. Bu c\u00f6z\u00fcn\u00fcrl\u00fck art\u0131yor demek de\u011fildir ama daha yumu\u015fak bir b\u00fcy\u00fctme s\u00f6z konusudur.<\/p>\n

Intraframe:<\/strong> Sadece kare i\u00e7inde s\u0131k\u0131\u015ft\u0131rma yapan codecler i\u00e7in kullan\u0131l\u0131r.<\/p>\n

Jitter<\/strong>: Atlama. Herhangi bir sinyalde \u00e7ok k\u0131sa s\u00fcreli artma veya azalma.<\/p>\n

JPEG:<\/strong> Joint Photographic Expert Group taraf\u0131ndan geli\u015ftirilmi\u015f bir g\u00f6r\u00fcnt\u00fc s\u0131k\u0131\u015ft\u0131rma y\u00f6ntemi. Hareketli g\u00f6r\u00fcnt\u00fcler i\u00e7in kullan\u0131ld\u0131\u011f\u0131nda M-jpeg ad\u0131n\u0131 al\u0131r.<\/p>\n

Luminance (Luma):<\/strong> Video alan\u0131nda parlakl\u0131k verisi.<\/p>\n

Mise en Scene<\/strong>: Frans\u0131zca mizansen olarak okunur. Herhangi bir olay\u0131n kamera i\u00e7in sahnelenmesidir (\u0130ngilizce: Staging). Yeni Dalga sinemac\u0131lar\u0131 Auteur (yarat\u0131c\u0131) ve Metteur En Scene (sahneye koyucu) ayr\u0131m\u0131n\u0131 getirmi\u015flerdir. Buna g\u00f6re baz\u0131 y\u00f6netmenler filmlerinin ger\u00e7ek yarat\u0131c\u0131lar\u0131d\u0131r. Ba\u015fka y\u00f6netmenler ise sadece var olan bir senaryoyu etkili \u015fekilde filme almakla ilgilenirler. Yeni Dalga??ya g\u00f6re yarat\u0131c\u0131 katk\u0131lar\u0131 yoktur. Eskimi\u015f bir teoridir.<\/p>\n

Moir\u00c3\u00a9:<\/strong> Videoda istenmeyen bir hata. Sistem herhangi bir frekans\u0131 \u00e7\u00f6z\u00fcmleyemedi\u011finde renk hatalar\u0131 olu\u015fur. \u00d6rne\u011fin \u00e7ok ince kareli bir g\u00f6mlekle ekrana \u00e7\u0131karsan\u0131z CCD??nin s\u0131n\u0131rlar\u0131n\u0131 a\u015faca\u011f\u0131n\u0131z i\u00e7in tarama diye bilinen bu etki olu\u015fur.<\/p>\n

Monochrome:<\/strong> Tek renkten olu\u015fan.<\/p>\n

Montage:<\/strong> Kurgu (editing) ile montage aras\u0131nda fark vard\u0131r. Kurgu genellikle filmin devaml\u0131l\u0131\u011f\u0131 ve ritmiyle ilgilidir. Montaj ise devaml\u0131l\u0131k g\u00f6zetilmeden herhangi bir kavram \u00e7er\u00e7evesinde yap\u0131lan kol\u00c3\u00a2jd\u0131r. Sovyet sinemas\u0131 bu konuda \u00e7ok ilerlemi\u015fti. Sergei Eisenstein bu alanda filmleriyle oldu\u011fu kadar teorik yaz\u0131lar\u0131yla da tan\u0131n\u0131r. Onun ?Potemkin Z\u0131rhl\u0131s\u0131?\u009d (1925) filmi montage konusunda bir ders niteli\u011fi ta\u015f\u0131r.<\/p>\n

Montage Sequence:<\/strong> Montaj Sekans olarak kullan\u0131l\u0131r. Herhangi bir devaml\u0131l\u0131k ta\u015f\u0131mayan, genelde m\u00fczik e\u015fli\u011finde \u00e7e\u015fitli \u00e7ekimlerin bir araya getirilmesiyle bir fikrin anlat\u0131ld\u0131\u011f\u0131 sahnelere verilen genel isimdir. \u00d6rne\u011fin boks\u00f6r\u00fcm\u00fcz b\u00fcy\u00fck ma\u00e7a haz\u0131rlanmaktad\u0131r. M\u00fczik ba\u015flar. Bu s\u0131rada \u00e7e\u015fitli ortamlarda boks\u00f6r\u00fcm\u00fcz\u00fc \u00e7al\u0131\u015f\u0131rken, ko\u015farken, y\u00fcr\u00fcrken, yemek yerken, tart\u0131l\u0131rken g\u00f6r\u00fcr\u00fcz. T\u00fcrk sinema sekt\u00f6r\u00fcnde m\u00fczik alt\u0131 olarak bilinir.<\/p>\n

Mpeg:<\/strong> Motion Picture Experts Group taraf\u0131ndan \u00f6nerilen s\u0131k\u0131\u015ft\u0131rma y\u00f6ntemi. Jpeg??ten farkl\u0131 olarak kareler aras\u0131 s\u0131k\u0131\u015ft\u0131rma da yapar.<\/p>\n

Mpeg1:<\/strong> Video CD i\u00e7in \u00fcretilen standart. 1.5 Mbit\/sn. veri transferine izin verir.<\/p>\n

Mpeg2:<\/strong> DVD video i\u00e7in \u00fcretilen standart. 15 mbits\/sn. ye ula\u015fan h\u0131zlara izin verir.<\/p>\n

Non-Square Pixel:<\/strong> Bir pikselin y\u00fcksekli\u011fi ile geni\u015fli\u011fi ayn\u0131 de\u011filse bu ad\u0131 al\u0131r. \u00d6rne\u011fin DV 720*576 Non square piksel kullan\u0131r. Buna kar\u015f\u0131l\u0131k Adobe Photoshop ise square piksel kullan\u0131r. Bu y\u00fczden Photoshop??ta DV i\u00e7in haz\u0131rlayaca\u011f\u0131n\u0131z dosya 768*576 boyutlar\u0131nda olmal\u0131d\u0131r. Aksi durumda resim bast\u0131r\u0131lm\u0131\u015f olarak DV??ye aktar\u0131l\u0131r.<\/p>\n

NTSC<\/strong>: National Television Standarts Commitee taraf\u0131ndan belirlenmi\u015f Amerikan TV standart\u0131.<\/p>\n

PAL ?? Phase Alternation Line:<\/strong> Avrupa \u00fclkelerinde yo\u011fun olarak kullan\u0131lan TV sistemi.<\/p>\n

PAL Plus<\/strong>: 16:9 oran\u0131na sahip PAL sinyali. Kullan\u0131m\u0131 yayg\u0131n de\u011fildir.<\/p>\n

Pixel<\/strong>: Picture element s\u00f6zc\u00fcklerinin k\u0131salt\u0131lm\u0131\u015f hali. G\u00f6r\u00fcnt\u00fcy\u00fc olu\u015fturan noktac\u0131klar\u0131 tan\u0131mlar. B\u00fct\u00fcn teknik g\u00f6r\u00fcnt\u00fcler noktalardan olu\u015fur.<\/p>\n

Primary Colors:<\/strong> Ana renkler: R(K\u0131rm\u0131z\u0131), G(ye\u015fil), B(mavi).<\/p>\n

RAW:<\/strong> CCD veya CMOS??tan gelen ham veri. S\u0131k\u0131\u015ft\u0131rma \u00f6ncesi olu\u015fan bu g\u00f6r\u00fcnt\u00fc verisi \u00e7ok daha kaliteli ve renk d\u00fczeltmeye \u00e7ok daha uygundur.<\/p>\n

Recce: <\/strong>(Askeri bir terim olan ?reconnaissance?\u009ddan) Herhangi bir film \u00e7ekiminden \u00f6nce mekana gidilip \u0131\u015f\u0131k, d\u00fczenleme gibi konularda ke\u015fif yapm\u0131lmas\u0131 anlam\u0131na gelir.<\/p>\n

Resolution:<\/strong> \u00c7\u00f6z\u00fcn\u00fcrl\u00fck. Herhangi bir teknik g\u00f6r\u00fcnt\u00fcy\u00fc olu\u015fturan noktalar\u0131n say\u0131s\u0131d\u0131r. Bu say\u0131 ne kadar y\u00fcksekse g\u00f6r\u00fcnt\u00fc o kadar ayr\u0131nt\u0131l\u0131d\u0131r.<\/p>\n

RLE ?? Run Length Encoding:<\/strong> En temel veri s\u0131k\u0131\u015ft\u0131rma y\u00f6ntemi. Bir veri ak\u0131\u015f\u0131 i\u00e7inde tekrar eden par\u00e7alar\u0131n bulunup s\u0131k\u0131\u015ft\u0131r\u0131lmas\u0131 temelinde \u00e7al\u0131\u015f\u0131r. Kay\u0131ps\u0131zd\u0131r ancak video uygulamalar\u0131 i\u00e7in uygun de\u011fildir.<\/p>\n

Rolling Shutter<\/strong>: Piksellerin tek tek s\u0131rayla okunmas\u0131n\u0131 esas alan alg\u0131lay\u0131c\u0131 sistemi.<\/p>\n

Rushes:<\/strong> Bir filmin g\u00fcnl\u00fck \u00e7ekimleri.<\/p>\n

Sampling: <\/strong>Bir sinyalin say\u0131salla\u015ft\u0131r\u0131lmas\u0131 i\u00e7in \u00f6rneklenmesi.<\/p>\n

Scan Line:<\/strong> Bir video sisteminde genelde yakla\u015f\u0131k 625 pikselden olu\u015fan dikey sat\u0131r.<\/p>\n

SCART: <\/strong>TV ve benzeri aletleri kolayca birbirine ba\u011flamak i\u00e7in geli\u015ftirilmi\u015f 21 u\u00e7lu kablo. Bu kabloyla RGB veya YUV ba\u011flant\u0131 yapmak m\u00fcmk\u00fcnd\u00fcr.<\/p>\n

Scene: (<\/strong>Sahne): Herhangi bir anlamsal veya mek\u00c3\u00a2nsal b\u00fct\u00fcnl\u00fc\u011f\u00fc olan \u00e7ekimlerin bir araya gelmesine sahne ad\u0131 verilir. \u00d6rne\u011fin mutfak sahnesi, cinayet sahnesi, sevi\u015fme sahnesi gibi.<\/p>\n

SDI ?? Serial Digital Interface:<\/strong> 1,4 Gb\/sn veri ta\u015f\u0131yabilen ve genelde profesyonel aletlerde bulunan bir veri transfer aray\u00fcz\u00fc. Firewire??\u0131n \u00e7ok daha h\u0131zl\u0131s\u0131 diyebiliriz.<\/p>\n

SECAM: <\/strong>Fransa ve Afrika??da yayg\u0131n olan TV sistemi.<\/p>\n

Sequence: <\/strong>Birbiriyle ba\u011f\u0131 olan sahnelerin bir araya gelmesinden olu\u015fan b\u00fct\u00fcnd\u00fcr. \u00d6rne\u011fin ka\u00e7ma kovalamaca sekans\u0131 gibi. Bu gibi sekanslar genelde farkl\u0131 mek\u00c3\u00a2nlarda ge\u00e7en bir ka\u00e7 sahne i\u00e7erirler.<\/p>\n

\u0130kinci anlam\u0131: Bir NLE yaz\u0131l\u0131m\u0131nda \u00fczerinde \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131z kurgu dosyas\u0131na verilen isimdir.<\/p>\n

Sequence Shot:<\/strong> Frans\u0131zca Plan s\u00c3\u00a9quence kullan\u0131l\u0131r. B\u00fct\u00fcn sahnenin tek bir planda ger\u00e7ekle\u015ftirilmesidir. Genelde kamera hareketi i\u00e7erir. Sinema tarihinde ba\u015ftan sona tek plandan olu\u015fan bir film vard\u0131r: Russian Ark (y\u00f6n: Aleksandr Sokurov 2002)<\/p>\n

Set:<\/strong> Film \u00e7ekiminin yap\u0131ld\u0131\u011f\u0131 her yer settir. \u00d6rne\u011fin ?Sette sessizli\u011fi sa\u011flay\u0131n!?\u009d c\u00fcmlesinde oldu\u011fu gibi. Bazen ?dekor kurulan yer?\u009d anlam\u0131nda da kullan\u0131l\u0131r: ?Bu sahneyi sette \u00e7ekelim.?\u009d C\u00fcmlesindeki gibi.<\/p>\n

Shot:<\/strong> Frans\u0131zca kar\u015f\u0131l\u0131\u011f\u0131 ?plan?\u009d dilimize yerle\u015fmi\u015ftir. En k\u00fc\u00e7\u00fck \u00e7ekim par\u00e7as\u0131d\u0131r. Kameran\u0131n ba\u015flay\u0131p durmas\u0131 aras\u0131nda \u00fcretilir.<\/p>\n

SNR ?? Signal to Noise Ratio:<\/strong> Bir sistemde hatal\u0131 sinyalin hatas\u0131za oran\u0131.<\/p>\n

Split Screen:<\/strong> B\u00f6l\u00fcnm\u00fc\u015f ekran demektir. \u0130ki ayr\u0131 \u00e7ekim tek karede bir araya getirilir. Ayn\u0131 oyuncunun iki rolde birden oynad\u0131\u011f\u0131 sahnelerde \u00e7ok kullan\u0131lan bir tekniktir.<\/p>\n

Stop Motion:<\/strong> Herhangi bir nesnenin aral\u0131klarla g\u00f6r\u00fcnt\u00fclenmesi tekni\u011fidir. B\u00f6ylece hareketsiz nesneler canland\u0131r\u0131labilir, ekran bo\u015fken nesnelerle doldurulabilir vs?\u00a6<\/p>\n

SMPTE ?? Society of Motion Picture and TV Engineers:<\/strong> Sinema ve TV M\u00fchendisleri Birli\u011fi<\/p>\n

Square Pixel:<\/strong> Kare piksel. Bu t\u00fcrde bir pikselin iki taraf\u0131 birbirine e\u015fit uzunluktad\u0131r.<\/p>\n

Super 35<\/strong>: 35 mm filmin ses ku\u015fa\u011f\u0131 i\u00e7in ayr\u0131lm\u0131\u015f b\u00f6l\u00fcm\u00fcn\u00fc de g\u00f6r\u00fcnt\u00fc pozlamak i\u00e7in kullanarak geni\u015f bir \u00e7er\u00e7eve elde etmeye yarayan y\u00f6ntemin ad\u0131.<\/p>\n

Superimposition:<\/strong> \u0130ki ya da daha fazla g\u00f6r\u00fcnt\u00fcn\u00fcn \u00fcst \u00fcste g\u00f6sterilmesidir. Dissolve??dan fark\u0131 daha uzun s\u00fcrmesi ve g\u00f6r\u00fcnt\u00fclerin birbirinin yerini almamas\u0131d\u0131r.<\/p>\n

Super VCD:<\/strong> Video CD??nin \u00c7in taraf\u0131ndan geli\u015ftirilmi\u015f bir s\u00fcr\u00fcm\u00fc. 2.6 Mb\/sn transfer h\u0131z\u0131 vard\u0131. Yayg\u0131nla\u015fmadan yerini DVD??ye b\u0131rakt\u0131.<\/p>\n

S-VHS:<\/strong> JVC??nin \u00e7\u0131kard\u0131\u011f\u0131 yar\u0131 profesyonel format. Semi component bir sistemdi.<\/p>\n

S-Video:<\/strong> Renk ve parlakl\u0131k bilgilerini ayr\u0131 ayr\u0131 ileten sistemlerin giri\u015f \u00e7\u0131k\u0131\u015f kap\u0131s\u0131. Yar\u0131 profesyonel sistemlerde yayg\u0131nd\u0131r.<\/p>\n

Take:<\/strong> Tekrar olarak kullan\u0131l\u0131r. Herhangi bir \u00e7ekimin (plan) arka arkaya yeniden yap\u0131lmas\u0131d\u0131r. \u00d6zellikle sinemada bir \u00e7ekim genelde tek bir seferde yap\u0131lamaz. Y\u00f6netmen ikna olana kadar defalarca tekrar yapabilir. Stanley Kubrick bu konuda \u00e7ok \u00fcnl\u00fcyd\u00fc. Y\u00fczlerce tekrar yapt\u0131\u011f\u0131 ve oyuncular\u0131 \u00e7ileden \u00e7\u0131kard\u0131\u011f\u0131 bilinir.<\/p>\n

THX:<\/strong> Lucasfilms??in sesle ilgili b\u00f6l\u00fcm\u00fcn\u00fcn belirledi\u011fi sinema alan\u0131nda genel ses kay\u0131t ve \u00e7alma\u00c2\u00a0standartlar\u0131na verilen isim.<\/p>\n

Timelapse Photography: <\/strong>Belli aral\u0131klarla \u00e7ekim yapmak demektir. Asl\u0131nda bir t\u00fcr Stop Motion \u00e7ekimdir. Burada \u00f6rne\u011fin bulutlar belli aral\u0131klarla \u00e7ekilip oynat\u0131ld\u0131\u011f\u0131nda saatlerce s\u00fcren hareketler 10 saniye i\u00e7inde izlenebilir. ?Koyaanisquatsi?\u009d (y\u00f6n: Godfrey Reggio 1982) bu tekni\u011fin en bilinen \u00f6rneklerindendir.<\/p>\n

TTL:<\/strong> Through The Lens: Herhangi bir pozlama sisteminin \u0131\u015f\u0131\u011f\u0131 mercekten ge\u00e7tikten sonra \u00f6l\u00e7mesidir. Sinema kameralar\u0131nda ise genelde TTL \u00f6l\u00e7\u00fcm bulunmaz.<\/p>\n

Ultra HD:<\/strong> 4K veya \u00fcst\u00fcndeki \u00e7\u00f6z\u00fcn\u00fcrl\u00fckte televizyon yay\u0131nlar\u0131na verilen genel isim. 3840X2160\u00c2\u00a0piksel olarak bilinir. 8K??ya kadar destekleyebilir.<\/p>\n

Video 8:<\/strong> Sony??nin 1985??te duyurdu\u011fu 8 mm kasetlere kay\u0131t yapan video sisteminin ad\u0131. Daha sonra H,8 ve Digital 8 olarak g\u00fcncellenmi\u015ftir.<\/p>\n

Video CD:<\/strong> 700 MB veri ta\u015f\u0131yabilen disklere mpeg1 s\u0131k\u0131\u015ft\u0131rmas\u0131yla g\u00f6r\u00fcnt\u00fc kaydeden sistemlerin genel ad\u0131. Ba\u015fta ucuzlu\u011fuyla ilgi \u00e7ekse de DVD kar\u015f\u0131s\u0131nda tutunamam\u0131\u015ft\u0131r.<\/p>\n

Voice Over:<\/strong> Filmin \u00fcst\u00fcne konu\u015fan d\u0131\u015f ses.<\/p>\n

Y\/C: <\/strong>S-Video??nun ba\u015fka bir ad\u0131. Parlakl\u0131k\/Renk.<\/p>\n

YUV:<\/strong> RGB bir renk sistemini siyah beyaz al\u0131c\u0131lar okuyamayaca\u011f\u0131 i\u00e7in \u00fcretilmi\u015f bir kodlama y\u00f6ntemi. Y parlakl\u0131\u011f\u0131, U ile V ise renk de\u011ferlerini ifade eder. Yani RGB olan \u00fc\u00e7 kanall\u0131k g\u00f6r\u00fcnt\u00fc bir parlakl\u0131k kanal\u0131 ve 2 renk kanal\u0131na d\u00f6n\u00fc\u015ft\u00fcr\u00fcl\u00fcr. Asl\u0131nda YCbCr (Y=Luminance, Cb=Chroma Blue; Cr=Chroma Red) \u015feklimde yaz\u0131lmas\u0131 gerekir ancak dile ters geldi\u011fi i\u00e7in YUV olarak yaz\u0131l\u0131r.<\/p>\n

Widescreen<\/strong>: 4:3??ten daha geni\u015f \u00e7er\u00e7eve oranlar\u0131na verilen genel isim.<\/p>\n

Wipe:<\/strong> Silme. Herhangi bir g\u00f6r\u00fcnt\u00fcn\u00fcn bir di\u011ferini silerek veya iterek yerine ge\u00e7mesi.<\/p>\n

Wild Sound:<\/strong> A\u00e7\u0131\u011fa (\u00e7ekim esnas\u0131nda olmadan) al\u0131nm\u0131\u015f ses.<\/p>\n

Zoom:<\/strong> Optik kayd\u0131rma olarak da bilinen odak uzakl\u0131\u011f\u0131 de\u011fi\u015fimi. NLE sistemlerinde g\u00f6r\u00fcnt\u00fcn\u00fcn b\u00fcy\u00fct\u00fclmesi anlam\u0131nda kullan\u0131l\u0131r.<\/p>\n<\/div>\n<\/div>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Dijital Video ile Sinema adl\u0131 kitab\u0131mda da yer alan sinema tv ve video ile ilgili bir terimler s\u00f6zl\u00fc\u011f\u00fc?\u00a6L\u00fctfen Kaynak G\u00f6stermeden Kullanmay\u0131n. Te\u015fekk\u00fcrler. Son G\u00fcncelleme: 19.01.2015 30 derece Kural\u0131: Ayn\u0131 konunun \u00e7ekimi s\u0131ras\u0131nda kullan\u0131lacak iki kamera konumunun birbirine en az 30 derece a\u00e7\u0131 yapmas\u0131n\u0131 \u00f6neren kural. Aksi durumda \u00e7ekimler birbirine benzeyece\u011fi i\u00e7in kesilmeleri zor olacakt\u0131r. Eski … Devam\u0131n\u0131 oku<\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":18,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1957","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/pages\/1957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/comments?post=1957"}],"version-history":[{"count":43,"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/pages\/1957\/revisions"}],"predecessor-version":[{"id":3025,"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/pages\/1957\/revisions\/3025"}],"wp:attachment":[{"href":"https:\/\/ilkercanikligil.me\/index.php\/wp-json\/wp\/v2\/media?parent=1957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}